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Archive for the ‘Exhibition work’ Category

I was commissioned to make a couple of records for Canterbury Museum as part of their RISE street art show that is currently on until March 23

Rise poster infoIts been pretty awesome to know that I’ve got work in the same show as Banksy, Rone, ROA, Anthony Lister and BMD… So when I was creating the records, I wanted to make sure they were on form.  As a result I actually created  a set of nine, so the Museum could pick out the two they thought would work in best for the show.

Anyways, here are the two they selected  :

Of what may come - Gouache, ink and resin on 325gsm Stonehenge paper, vinyl record supportOverspill  - Gouache, ink and resin on 325gsm Stonehenge paper, vinyl record supportRecords with their acompanying covers for RISE

You can see the rest of the set in the post below.

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This is the first set of nine records I’ve created for my new series Rise of the Fukushima Monsters 

Rise of the Fukushima Monsters - Set of nine

They’re the next step on from my Fearsome friends series, bringing in new characters and an underlying dialog to do with mutation caused by radioactive waste and what is happening within our oceans at present …And what may come in the future if we don’t just manage to kill everything off first.

New OrderFive

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So I’ve currently got a couple of records as part of the RISE street art exhibition on at Canterbury Museum in Christchurch, presented by Oi YOU!

…I was supposed to put this post up ages ago, but I’ve been avoiding my computer

RISE posterAnyways the show is still on for a teeny bit longer – Well, until the 23rd of March

More details about the show can be found up on the Oi YOU! website, and also on their Facebook page, as well as through Canterbury Museum… Go check it out!

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I’ve been slowly working on a new series of works for a while now – I’m looking at pushing my orchid mash-up pieces forward more, trying to coax them into something greater than the contained tangle of plants which is their current state.

I want to increase the scale of these pieces.  Growing them bigger with the addition of many, many more malevolent elements.  I want to feed them with clutter and random objects until they become wild and overgrown and sprawl across large scale sheets of watercolour paper…

on white

But I find myself lacking.  Lacking time and space and energy to fill these large sheets of paper with the overgrown tangle of plants I see in my head.  Lacking the discipline to stay up and create, in the darkness when everyone else sleeps – Or to stay home when my friends are out having fun… I’m really not very good when it comes to missing out.  And discipline would definitely be needed to push through such a large project to completion… Not be sidetracked by the bright monsters and birds who also call for attention in my head.

Instead, I’m letting it branch off to the side.   Keeping it smaller and more achievable.  Same same, but different.  Playing with moving my paintings away from my safe and comforting paper and onto beautiful reverse linen canvas.  Simple, and yet a challenge for me – Still working with the paint I love, but in a new way : Gouache is water-based, used in a similar way to watercolour.  When painted onto an unprimed porous surface it sinks in and bleeds out – A nice effect if you were doing a silk painting… But not what I want.

Deaths head in progress

So I’ve changed up my process : I’m layering it between heat sealed flat acrylic – Like the white base layers below images on screen printed tee-shirts.  Carefully carefully, so the gouache doesn’t bleed off the edges and onto the unprimed fiber.  And then there is the issue of binding the layers of gouache – You see, if it builds up, it has the tendency to flake.  Another layer.  Varnish.  But only on the painted area.  To contrast with the matteness of the natural linen.  Slow.  Like watching paint dry.  …But I have to say, I’m loving these new steps in the process!

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Makertorium is on at Te Papa today.  My friend Matthew Pettengell kindly asked if i’d put up some of my new perspex swallow flock as a backdrop for his desks

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Perspex swallows

These swallows are a new variation on my vinyl swallow flock i’ve had made through Makerspace… Really pleased with how they’ve turned out, i’m thinking on doing up a couple more sets in white and also in red next.

I’ll be adding them up on my Felt Sales shop in the next day or two, to be sold as installation sets, along with smaller individual swallows made into brooches.

If you are interested in an installation piece, or a commission work along these lines –  Maybe involving a different bird, butterfly or beetle I would love to hear from you! I can be contacted by email at : vincenteknight@gmail.com

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I’ve just finished framing a few of my paintings to go up on the walls in Sketch and Tulip this week.  And I’ve got to say, I’m really pleased with how they’ve turned out!

Malevolentia – Gouache and ink on 245gsm Stonehenge printing paper, 250x250mm AU$240.00 (Framed) Note: Available from Sketch and Tulip

Veneficus – Gouache and ink on 245gsm Stonehenge printing paper, 250x250mm AU$240.00 (Framed) Note: Available from Sketch and Tulip, North Melbourne

Step up – Gouache, ink and resin on 245gsm Stonehenge printing paper, 250x250mm AU$240.00 (Framed) Note: Available from Sketch and Tulip

Originally I was planning on putting them in larger frames with more space around the edges.  But I ended up doing a rethink as Sketch and Tulip sell the artwork they display on a cash and carry basis.  So I decided smaller, more portable box frames might be the way to go.  Cant wait to go in and check them out when they’re up!

Note : These works are for sale framed, directly from Sketch and Tulip in North Melbourne.  Please contact Huda Sleiman in regards to the purchase of paintings. Prices are in AU Dollars.

Sketch & Tulip
364 Victoria Street, North Melbourne
(03) 9329 9665

Hours
Tues & Wed 7am–4pm
Thurs to Fri 7am–late
Sat 8am–4pm
Sun 8am-4pm

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So here’s a look into the beginning of my latest series so far…  Going to be interesting watching them grow and evolve

Orchid bomb 1:1 – Gouache and ink on Stonehenge 245gsm printing paper. Private collection

Orchid bomb 2:1 – Gouache and ink on Stonehenge 245gsm printing paper.  Available framed AU$240.00 @ Sketch and Tulip, North Melbourne

Orchid bomb 3:1 – Gouache and ink on Stonehenge 245gsm printing paper. Available framed AU$240.00 @ Sketch and Tulip, North Melbourne

Orchid bomb 4:1 – Gouache and ink on Stonehenge 245gsm printing paper  280 x 364mm  Available UNFRAMED NZ$260.00 – Please contact vincenteknight@gmail.com in regards to the sale of this piece.

 

Note : Framed works are available directly from Sketch and Tulip in North Melbourne.  Please contact Huda Sleiman in regards to the purchase of these paintings. Prices for these pieces are in AU Dollars.

Sketch & Tulip
364 Victoria Street, North Melbourne
(03) 9329 9665

Hours
Tues & Wed 7am–4pm
Thurs to Fri 7am–late
Sat 8am–4pm
Sun 8am-4pm

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